Female Samurai Warriors of Feudal Japan, 1800s
domingo, 30 de abril de 2017
sábado, 29 de abril de 2017
miércoles, 26 de abril de 2017
Esqueletos en el armario
El Masnou, población perteneciente a la Asociación de Municipios para la Independencia de Catalunya
miércoles, 19 de abril de 2017
lunes, 17 de abril de 2017
domingo, 16 de abril de 2017
sábado, 15 de abril de 2017
viernes, 14 de abril de 2017
miércoles, 12 de abril de 2017
lunes, 10 de abril de 2017
domingo, 9 de abril de 2017
Linsey Pollak & his carrot clarinet
Linsey Pollak turns a carrot into a clarinet using an electic drill a carrot and a saxophone mouthpiece, and plays it all in a matter of 5 minutes.
Linsey Pollak is an Australian musician, instrument maker, composer, musical director and community music facilitator. He has recorded 31 albums, toured his solo shows extensively in Europe, Nth America and Asia as well as performing at most major festivals around Australia.
Linsey has devised many large Festival pieces such as "BimBamBoo" and "Sound Forest", as well as collaborating on many music and theatre projects around Australia. He established The Multicultural Arts Centre of WA, and has co-ordinated five Cross-cultural Music Ensembles in three different States. Linsey has also worked as a musical instrument maker for 40 years and has designed a number of new wind instruments as well as specialising in woodwind instruments from Eastern Europe.
Linsey Pollak is an Australian musician, instrument maker, composer, musical director and community music facilitator. He has recorded 31 albums, toured his solo shows extensively in Europe, Nth America and Asia as well as performing at most major festivals around Australia.
Linsey has devised many large Festival pieces such as "BimBamBoo" and "Sound Forest", as well as collaborating on many music and theatre projects around Australia. He established The Multicultural Arts Centre of WA, and has co-ordinated five Cross-cultural Music Ensembles in three different States. Linsey has also worked as a musical instrument maker for 40 years and has designed a number of new wind instruments as well as specialising in woodwind instruments from Eastern Europe.
Mis enemigos personales
Ver el conjunto y no la parte
Mantener el centro y buscar la oportunidad
Entrar con el cuerpo, primero la parte inferior, mantener la posición sin cambiar la altura de los ojos y ki-ken-tai
